“What television program has done more in the
past year to keep the sanity of millions of Irish and UK citizens?
What program has lifted spirits daily since lockdown began?”
“I give you” (blast of trumpets) A Place in the Sun! A program broadcast on Channel 4 and repeated
on Channel 5. “A Place in the Sun” has provided
a whole hour every afternoon of pure escapism. While the rain hammered against
our windows and we added more coal to the fire, we watched the presenters,
dressed in summer clothing walking in brilliant sunshine and leading couples
around towns, villages and properties in places as far afield as Bulgaria, Turkey,
Tunisia, Spain, Portugal, France and the Canary Islands. They recorded the
programs mainly in the off-season as the seaside resorts and towns were quiet,
the communal blue pools deserted. It
gives the viewers a somewhat false sense of calm about places that would in
peak season be jammed with holidaymakers. But do bear in mind that many of the
people involved in the property search were looking to live all year round in
such places so, on balance I believe it was useful visiting at those times of
the year.
The program’s
format is to present five properties starting with the weakest and ending with
the strongest, ramping up the tension as one by one the properties fall by the
wayside and the presenter talks animatedly to the camera, with ten minutes to
go, of needing to pull “a rabbit out of a hat” with their final selection. Nine times out of ten the property chosen is
the fifth, which begs the question why bother to see the others but then you’d
have no program and its part of its charm visiting several locations during
each program, learning a little bit more about each of the areas we thought we
knew.
The
presenters come across as nice chatty knowledgeable people and the couples
themselves are invariably people that go with the flow. “Go off now and discover this one on your
own” they are instructed and they duly shuffle off and do so. The presenters
try to read how the property search is going and share a quiet word with the camera
to keep us in the picture. It draws us into the presenter’s predicament and
primes us for the next property to be seen and the reasons why it’s been
chosen, a nice hook to keep us watching.
The couples
featured are generally in their fifties or older. Many are seeking a property
that can act as a holiday home for several years before they retire to live in
a place in the sun permanently. Most sought extra space, a spare bedroom or two
for visiting family members, children and grandchildren. Most sought places in
towns or close to beaches often as one of them had mobility issues. Others
sought cooler more mountainous locations so that they could grow their own
grapes, olives and fruit & vegetables.
I found that
couple watching an interesting part of the program. How they related to each
other and to the presenter. If one partner constantly spoke for both it gave a
telling insight into their relationship. I also noticed that in male/female
couplings, the male will never pronounce on rooms until the female does and
then he agrees with her every time. It’s as if men are afraid to disagree with
their partners, at least on camera. I’d guess that a frank exchange of views
takes place off camera later, perhaps over a glass of wine that evening. But to
focus on the humans and the properties they visit is to miss the “X” factor
that makes this show so watchable and such a tonic to the soul.
The “X”
factor is the programs ability to transport the viewer if only for an hour, to
a land of bright sunshine, blue seas, sandy beaches and bobbing yachts. Places
where small restaurants have tables with umbrella’s set outside, town squares feature
ancient churches, fields upon fields of banana trees border the roads,
promenades trace harbour perimeters and stretch beyond the camera and into the
distance. Volcanic mountains covered with greenery tower over the villages
below whose beaches feature black stones and sand. The scenery and the heat
visibly present at the time of making the program yields us the spiritual
benefit that a bottle of vitamin D tablets never could. We suck in the sun
holiday mood, we imagine that sun on our bodies, we walk alongside them as they
wander along the seashore. We are there when they sip coffee in a cafe or
travel in small boats across crystal clear waters.
Yes, there is
an additional bonus to be enjoyed in taking voyeuristic delight in seeing
inside other people’s properties. Isn’t that kitchen a bit small, a bit narrow,
a bit traditional, a bit modern or just a bit too far away from the dining
room? Isn’t that private pool fab, weird shaped or just small? Would you want a
plunge pool in your garden? Did you notice there was no grass in the garden?
Did you see the orange grove that came with that place? Then a further bonus
comes when the cameraman shares the views from their balconies, rooftop
suntraps or outside cooking areas. It all adds to the pleasure of the program.
Anyway
regardless of which property is the chosen one, we move to the program end game
with the bidding process which though never a certainty tends to occur more
times than not. The presenter relays the couples offer to the property agent
and sits back with her mobile phone on the table waiting alongside the couple
to see if it’s accepted. It’s at this point that the minds of some buyers
appear to have become warped during the process of program making. They seem to
lose sight of their original budget sum and will seem reticent to spend the
necessary amount to get a property that has clearly been their favourite and
ticked all the boxes. They enter a low bid, say forty thousand below the asking
price, up it marginally by ten thousand and then say that’s your lot. We sit in
amazement as they appear happy to walk away from exactly what they wanted with
the seller’s final price well within their budget. “Nowt strange as folk” as an old English saying goes. Alternatively we see instances where the
buyers shoot low with an offer forty thousand below the asking price and to our
astonishment the offer is accepted!
Regardless of
the outcome of negotiations, the presenter then toasts her couple with glasses
of freshly squeezed orange juice and wishes them happiness for the future and the
credits roll. The credits themselves are revealing as it appears the programs
were recorded in 2018 and 2019. Due to
Covid-19 and the pandemic program making didn’t occur in 2020 and the presenters
were forced to join us for autumn and winter which must have driven them to add
a few layers of clothing. Hidden away in the credits are given the GBP/EUR
exchange rates which were current at the time of making the program. I found this useful as throughout the show prices
are given in pounds rather than euro’s and for us, in Euroland it’s useful to be
able to convert to euro values as watching from a cold environment does make a
place in the sun seem most agreeable.
Is that
it then?
No, for the viewers can garner one more lift
from the program through the creation of uplifting thoughts that remain with
the viewer long after the credits have rolled. Such as, with prices like those
we’d just seen, if we really wanted to, we too could probably afford to buy a
holiday or retirement home.
This dream is accessible to all. It just
requires a mind flip and a strong desire to make it happen. The freedom this
gem of broadcasting offers can last a lifetime.